Linda M. Willem (Editor)
A Sesquicentennial Tribute to Galdós, 1843-1993. 
Newark, Delaware: Juan de la Cuesta, 1993. Hispanic Monographs, Series Homenajes, 8. 0936388579 360 pages.
Volume, measuring approximately 6.25" x 9.5", is bound in dark brown leatherette, with stamped gilt lettering to spine and publisher's emblem stamped in gold on front cover. Book displays very light shelfwear. Binding is firm. Pages exhibit very occasional pencil markings. Texts in English and Spanish.
Contents:
"Landscapes and Skyscapes in "La familia de León Roch" by Peter A. Bly; "Enlightenment, Mass Culture, and Madness: The Dialectic of Modernity in "La desheredada"" by Stephanie Sieburth; "The Interplay between Author and Narrator in "Lo prohibido"" by James Whiston; ""Las Micaelas por fuera y por dentro": Discipline and Resistance in "Fortunata y Jacinta"" by Akiko Tsuchiya; "Therapeutic Figures: The Body and Its Metaphors in "Fortunata y Jacinta"" by Hazel Gold; "Notes on the Narrator in "Fortunata y Jacinta"" by Geoffrey Ribbans; "Balancing "exactitud" and "belleza": Galdós's Theoretical Equation for Realism in "Fortunata y Jacinta"" by Harriet S. Turner; "Invención, simulacro y violencia en "Tristana"" by Teresa M. Vilarós; "The Vision of Corporal Fragmentation in Galdós's "Tristana"" by Chad C. Wright; ""Misericordia": Galdosian Realism's "Last Word"" by Nicholas G. Round; "The Pygmalion Effect in the Fiction of Pérez Galdós" by Lou Charnon-Deutsch; "Iriartian Intertexts to Gabriel Araceli and Comments on the Relation to Felipe Centeno" by Stephen Miller; "Resurrection and Reinscription in "Bailén" by Diane F. Urey; "Las ratas de "Gerona" y la polisemia quinaria" by Pierre L. Ullman; "Tarts and Angels: The Women in the Fourth Series of "Episodios Nacionales" by Brian J. Dendle; "Anticipating Postmodernism in Two Galdosian Fantasies: "¿Dónde está mi cabeza?" and the Final "Episodios Nacionales" by Linda M. Willem; "1865 Galdós en "La Nación": "Variedades" by Rodolfo Cardona; "Galdós ¿escritor disolvente?: Aspectos de su pensmiento político: by Eamonn Rodgers; "From "El sacrificio" (n.d.) to "La loca de la casa" (1893)" by Lisa P. Condé; "Maria Guerrero y el teatro de Benito Pérez Galdós" by Alicia G. Andreu; "Crítica de la crítica sobre Galdós" by Germán Gullón; ""Glasnost" and Galdós: by Vernon A. Chamberlin; "Génesis del cervantismo de Galdós (1865-1876)" by Rubén Benítez.